![]() It is a bold technique, but there are movies that have proven it could work. However, what if the roles were reversed?Īn ambitious way a film could present itself is by having its point of view be that of the villain, the one who would be the antagonist of a streamlined story. The fight between hero and villain is clear. This structure is streamlined and a basic part of the three act structure. The antagonist is there to stop the goal of the protagonist and add stakes to the story. The story will have the protagonist be the heart and driving force of the story their goals and wants to become ours as we latch onto their journey through the duration of the movie. Within the first few minutes of a film, we could gather an idea as to who our protagonist and antagonist are. ![]() ![]() Point of view is perhaps one of the basic elements of story structure that gets introduced in any narrative. However, a different form of storytelling can often resonate with the audience and leave a substantial impact. It's common to follow a protagonist in a film, even if they may be an antihero, and audiences expect to like or root for the main character. Where The Evil Inside may not be shocking or even all that frightening, it is creepy and eerie enough that it may leave you feeling just a little uneasy.It may come as a surprise to audiences when a film deviates from the conventional narrative structure. Unfortunately none of the characters were likeable enough to root for, nor evil enough to want to see dead.Ĭompared to what the audience is used to these days, the deaths are not exactly gruesome, or elaborate. This is no doubt helped by first time writer Jennifer Zhang (also playing bitchy BFF Serena), who keeps it simple and doesn’t overdo the trash talk usually associated with this genre. Sure, no Oscar nods here, but the cast each hold their own admirably. What is a pleasant surprise is the level of acting. Director Pearry Teo is no newcomer to his art, with horror Necromentia and sci-fi comic book adaptation The Gene Generation (starring Bai Ling) under his belt. Early camera work such as abstract angles and blurred long shots seem to suggest a theme that is never repeated through into the rest of the film. That said, typical teen characters are there, such as the bitchy BFFs and feuding suitors.Īs a low budget indie, the film suffers technically from numerous sound issues. Though the premise may be likened to Final Destination, the pace seems uncomfortable, being closer to a grown up horror movie such as The Others, rather than a teen slasher. Meanwhile, Sarah is tormented by an unseen whispering entity that locks her away in the attic. ![]() Though why none of the group tries to open or break one of the enormous windows is the biggest mystery. With all the exits locked there is no chance of escape from the house. Knowing that each of the revellers will probably die, the rest of the film really takes us through how each of them dies, and their battle to survive each other. As the nightmare unfolds, tensions build, friendships are abandoned and murder ensues. She invites along Wesley (James Adam Lim) for company, who also invites some friends to the “party”.īefore long Sarah has more premonitions, the deaths of each of her new “friends”. When Sarah’s parents have to go away, Lucy is asked to keep her old friend company at a sleepover. Having recently returned to her home town with her parents, Sarah is reunited with her childhood friend Lucy (Sage Howard). The opening minutes of the film imply that Sarah has suffered some mental trauma, going on to show her having a premonition of death that soon happens. Originally titled Dead Inside in the US, the movie has undergone a name change for the international market. The Evil Inside follows Sarah (Hannah Ward), a teenage girl suffering mental health problems, her deathly premonitions and an impromptu party that turns into a bloodbath. Starring: Hannah Ward, Sage Howard, James Adam Lim, Matthew Mercer, Rayne Bidder
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